final

Shooting

Timeline

Final Storyboarding

Storyboarding

Sketch 3

Sketch 2

The last time did not use two hands, so this change has become both hands.

Sketch 1

The brain controls your hands, what I want to do some hands?

Research ----- human left and right brain

World there are too many mysteries, only human beings have too much confusion. The human body is a lot of mystery in our brain. The brain is an organ of confused people, especially concerning life and death, consciousness, sleep, hallucinations, memory and other issues, has been confused with the people, today the investigation on the human brain.


                

Brain, including the brain and between the brain side, including the left and right cerebral hemispheres telencephalon. End of the vertebrate brain is the main part of the brain's higher nervous system, by about two hemispheres in humans for the largest part of the brain controlling movement, resulting in sensory and achieve higher brain function Senior nerve.

                 
   

Left brain function：

Speed → language, balance → action, immune, concept, digital, mobile, immune, conceptual, analytical, logical reasoning and other functions.



Right brain function：

Speed → language (because speech rate faster than the left brain right brain function plus other tie, so the right brain for vocal music), balance → action, immune, images, music, painting, space geometry, imagination, and integration functions.

Video formats

Video format can be divided into local image suitable for local broadcast video and is suitable for the network in the network broadcast streaming media video image two kinds big. Although the latter on the stability of the play and play the picture quality may not be the best, but the spread of network streaming media video image make it is widely used in video on demand, network demonstration, remote education, network video advertising, and so on the Internet information services.

AVI
AVI video format in this published by Microsoft company, in the field of video can be said to be one of the oldest format.AVI format call convenient, good image quality, compression standards can be arbitrary choice, is the most widely used, is one of the longest application format.

MOV
Used Mac friends what should contact with QuickTime. QuickTime is Apple originally used to Mac a video image processing software on your computer. Quick - Time provides two standard image and digital video formats, which can support static. PIC and. JPG image format, based on dynamic Indeo compression method. MOV and based on MPEG compression method. MPG video format.

The ASF
ASF is MICROSOFT in order to compete with Real player and developed a kind of direct watching video online file compression format. ASF using MPEG4 compression algorithm, compression ratio and image quality is very good. Can because the ASF is a real-time online watch the video of "flow" format, so its image quality than the VCD is not very surprising, but than with video format "flow" of RAM is better.

WMV
A kind of independent encoding spread on the Internet in real time multimedia technology standards, Microsoft company wants to use it instead of technical standards, such as QuickTime and WAV, AVI file extension.WMV main advantage lies in: extensible media type, local or network playback, scalable media type, flow of priority and multi-language support, scalability, etc.

NAVI
If it is found that the original player software suddenly can't open this format AVI file, that you consider whether met n AVI.N AVI is the abbreviation of New AVI, is called a Shadow Realm of underground organization developed a kind of New video format. It is from Microsoft ASF compression algorithm to modify (AVI) is not imagination, video format is the compression ratio and image quality, so the NAVI in pursuit of the goal, to improve the original ASF format some shortage, let NAVI can have higher frame rates. It can be said that NAVI is a kind of get rid of streaming video features improved ASF format.

3 GP
3 GP is a kind of 3 g streaming media video coding format, mainly in order to cooperate with high transmission speed and the development of 3 g networks, also is one of the most common in the current mobile phone video format.
In simple terms, the format is the 3rd generation partnership project (3 GPP) to develop a multimedia standard, users can use mobile phones to enjoy high quality of audio, video and other multimedia content. At its core, including advanced audio coding (AAC), adaptive multi-rate (AMR) and mpeg-4 and h. 263 video codec, etc, the most support the video shooting of mobile phone is supported by 3 GPP format video playback. Its characteristic is speed take up less, but quality is poorer.

REAL VIDEO
REAL VIDEO format (RA, RAM) by the first position in VIDEO streaming application, also can saying is founder of VIDEO streaming technology. It can be implemented under the condition of using 56 k dial-up Internet access while MODEM uninterrupted video playback, of course, the image quality and MPEG2, DIVX geometric is implausible. After all to achieve transmission uninterrupted online video is takes a lot of bandwidth, this aspect is ASF contender.

MKV
A suffix to MKV video file appeared frequently on the Internet, it can be integrated in the a file a number of different types of audio track and subtitle track, and the degrees of freedom is very big also, video encoding can be common DivX, XviD, 3 ivx, can even be RealVideo, QuickTime, WMV such as streaming video.In fact, it is a new type whole called Matroska multimedia encapsulation format, this kind of advanced and open packaging format has given us show very good application prospect.

FLV
FLV is short for FLASH VIDEO, FLV streaming format is a new kind of VIDEO format.Due to its minimal form file, load, speed, making it possible to network to watch the video file, it can effectively solve the video file to import after the Flash, make export bulky SWF files, not very good use on the Internet and other shortcomings.

F4V
As one of the smaller, more clear, more conducive to the network transmission format, F4V has gradually replaced the traditional FLV, has also been compatible with most mainstream players play, without the need for a complex way through conversion, etc.F4V Adobe is launched for the hd era after the FLV format support h. 264 F4V streaming media format. It and the main difference is that FLV FLV format USES is H263 encoding, while F4V supports h. 264 high-definition video coding, rate of up to 50 MBPS. This means F4V and FLV in under the premise of the same volume, can achieve higher resolution, and support a higher bit rate, is what we call a clearer, smoother. In addition, many mainstream media website F4V file suffix for FLV, this is another feature of F4V format, belongs to the normal phenomenon, when viewed can obviously feel that this is actually a F4V FLV have significantly higher clarity and fluency.

RMVB
RMVB predecessor for RM format, they are Real Networks set by the company audio video compression standard, according to the different network transmission rate, and to develop a different compression ratio, so as to realize the low rate of image data real-time transmission and broadcast on the network, the advantages of small volume, and have the advantages of good quality.

WebM
Put forward by Google [1], is an open, free media file format. WebM video format is actually Matroska (i.e., MKV) container format to be developed on the basis of the new container format, including the VP8 video track and Ogg Vorbis audio track, Google will its VP8 video coding technology in a similar BSD license open source, Ogg Vorbis is open formats. WebM standard more biased towards the open source web video and is based on the HTML 5 standard, WebM project is intended to open web development high quality for everyone, open video format, the focus is video service is the core of the network user experience. Google say WebM format is quite effective, should be able to in the netbook, tablet, smoothly above use the handheld device.

video

According to the story board after shooting video，I edit footages in after effects.

Initially, because unskilled AI operations, splicing bad actor appeared several times to open the door, the door several times, knocking unresponsive to questions, as well as inconsistencies in the video light, so that people do not understand the video there is d place.

So I made a second improvement, the splicing unreasonable has changed, but there do not understand the problem so that the audience.

Finally, I conducted a third revision.
In addition to editing, I also joined the knocking sound, rendering the atmosphere of terror voice.

Rearrange storyboard

In the second part of this task, we should use the storyboard as reference to plane the whole video.

 

We go first to a man from the stairs to go online, and then the three of us from different angles to shoot him, but the effect is not good, we feel the need to do a better job if required storyboards.

 

 

Design storyboards later, we print it, cut the story board, each person their own re-stitching, make storyboards have different styles of each individual versions.

Visit the recording studio

Studio called the studio, which is dedicated to the creation of a specific place for people to record the recording environment and the construction of acoustic conditions, is recording movies, songs, music and other recordings places, the acoustic characteristics of the studio recordings for their products quality plays a very important role. People can be classified, for example, can be divided according to the basic characteristics of the sound field is divided into natural reverb studio, strong absorption (short reverberation) studio and active end a silent end (LEDE) type studio needed You can also use the perspective from dividing into dialogue recording studio, music studio, sound recording studio, mixing studio and so on.

 

 

 

 

 

Ordinary house is not used as a recording studio, because the studio with a scientific approach building acoustics.

All are soundproof glass vacuum glass, including windows and doors, soundproof deal to be done. Such as doors, it is necessary to increase the leather bars sealed door.

To make floating floor, hit one of the keel, then flooring, carpet last.

To build partition walls, hit one keel, within the available material dragon skeleton rock wool, glass wool, foam, fiberglass, and other insulation materials. Finally, attach gypsum board. Gypsum board can be attached cotton polyester fiber board and other sound-absorbing materials and other decorative items!

 

 

 

Noise problems are mainly studio walls and windows and doors out around.

For the above-mentioned problems mainly acoustic methods below:

Mainly due to different amounts of noise walls and multi-material composite (multi-light noise damping wall) and external window seal, this treatment can be isolated from outside influences basic noise on the studio.

 

 

Noise propagation:

Noise studio passed mainly through three ways, one is the noise acting on the walls, floors, ceilings and vibration, the acoustic energy radiated into the studio; the second is the gap left by the construction, there is no seal holes, etc. After incoming airborne sound recording studio; Third, through the studio walls, the top surface or ground steel connection with the outside world through the solid sound transmission into the studio

 

BASIC VIDEO CAPTURE 3

I recorded a few times at the beginning of billiard games, try to shoot with a different camera angles, the splicing them together.
This video mean, even if the same thing, there will be different at the beginning, we must have the courage to try.

Basic of Videography

HDV
HDV is a format for recording of high-definition video on DV cassette tape. The format was originally developed by JVC and supported by Sony, Canon, and Sharp. The four companies formed the HDV consortium in September 2003.
Conceived as an affordable high definition format for digital camcorders, HDV quickly caught on with many amateur and professional videographers due to its low cost, portability, and image quality acceptable for many professional productions.
HDV and HDV logo are trademarks of JVC and Sony.

Aperture
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture of an optical system is the opening that determines the cone angle of a bundle of rays that come to a focus in the image plane. The aperture determines how collimated the admitted rays are, which is of great importance for the appearance at the image plane. If an aperture is narrow, then highly collimated rays are admitted, resulting in a sharp focus at the image plane. If an aperture is wide, then uncollimated rays are admitted, resulting in a sharp focus only for rays with a certain focal length. This means that a wide aperture results in an image that is sharp around what the lens is focusing on. The aperture also determines how many of the incoming rays are actually admitted and thus how much light reaches the image plane (the narrower the aperture, the darker the image for a given exposure time). In the human eye, the pupil is the aperture.
An optical system typically has many openings, or structures that limit the ray bundles (ray bundles are also known as pencils of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place, or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that determines the ray cone angle, or equivalently the brightness, at an image point.
In some contexts, especially in photography and astronomy, aperture refers to the diameter of the aperture stop rather than the physical stop or the opening itself. For example, in a telescope the aperture stop is typically the edges of the objective lens or mirror (or of the mount that holds it). One then speaks of a telescope as having, for example, a 100 centimeter aperture. Note that the aperture stop is not necessarily the smallest stop in the system. Magnification and demagnification by lenses and other elements can cause a relatively large stop to be the aperture stop for the system.
Sometimes stops and diaphragms are called apertures, even when they are not the aperture stop of the system.
The word aperture is also used in other contexts to indicate a system which blocks off light outside a certain region. In astronomy for example, a photometric aperture around a star usually corresponds to a circular window around the image of a star within which the light intensity is assumed.

Shutter Speed
The camera's shutter speed, the lens's brightness (f-number), and the scene's luminance together determine the amount of light that reaches the film or sensor (the exposure). Exposure value (EV) is a quantity that accounts for the shutter speed and the f-number.
Multiple combinations of shutter speed and f-number can give the same exposure value. According to exposure value formula, doubling the exposure time doubles the amount of light (subtracts 1 EV). Making the f-number one stop brighter (reducing the f-number by a factor of \scriptstyle \sqrt{2}) also doubles the amount of light. A shutter speed of 1/50 s with an f/4.0 lens gives the same exposure value as a 1/100 s shutter with an f/2.8 lens, and also the same exposure value as a 1/200 s shutter with an f/2.0 lens.
In addition to its effect on exposure, the shutter speed changes the way movement appears in photographs. Very short shutter speeds can be used to freeze fast-moving subjects, for example at sporting events. Very long shutter speeds are used to intentionally blur a moving subject for artistic effect. Short exposure times are sometimes called "fast", and long exposure times "slow".
Adjustment to the aperture controls the depth of field, the distance range over which objects are acceptably sharp; such adjustments need to be compensated by changes in the shutter speed.

Gain and ISO

Some cameras and camcorders have both an adjustable ISO setting and a Gain setting. Which one should you use or should you use both?There are differences between the two settings, but for all practical purposes, they control the same aspect of video. You may not remember film, but in those days all films were rated with an ASA rating which today is called an ISO rating. Kodachrome, for instance, was a Kodak film used in both cinematography and still photography. For movies it was available in 8mm, 16mm, and 35mm. It was also available in various ISO/ASA ratings from 24 to 200. The ISO determined how much light was required. The smaller ISO ratings required more light, but had a finer grain and created better images. Larger ISO numbers required much less light, but looked grainy. Higher quality images required a low ISO rating.In many video cameras and DSLRs, you can dial in the ISO which is helpful when you need more light sensitivity. The cost is degraded images which show more grain.The size of the digital camera’s image sensor dictates what ISO setting provides the least amount of digital noise. Larger sensors produce less noise or grain. Smaller sensors produce more digital noise at higher ISOs (like 800). Digital camera image sensors are designed to perform best at the lowest ISO, just like with film. On most digital cameras this is ISO 100, although some high end DSLRs the ISO rating is as low as 25.The larger Full Frame sensors are the size of a 35mm frame. They allow for more and larger pixels to be packed onto the image sensor, producing smoother, grain-free images at higher ISO settings sometimes as much as 1600 ISO. Like film, the lower the ISO rating of the camera sensor, the better the image quality is going to be.The major reason to use ISO rather than gain is to correlate the camera sensitivity with a light meter. Light meters must be adjusted to the ISO. The meter measures the amount of light and its internal computer indicates which f-stop and shutter speed is needed for a particular ISO. Cameras have built-in light meters which measure the light and in auto mode set your camera to an f-stop and shutter speed to make an ideal exposure. If there is not enough light, the meter opens the iris and increases the shutter. If these are not enough, it raises the ISO of the camera which degrades the image by adding grain.

White Balance
In photography and image processing, color balance is the global adjustment of the intensities of the colors (typically red, green, and blue primary colors). An important goal of this adjustment is to render specific colors – particularly neutral colors – correctly; hence, the general method is sometimes called gray balance, neutral balance, or white balance. Color balance changes the overall mixture of colors in an image and is used for color correction; generalized versions of color balance are used to get colors other than neutrals to also appear correct or pleasing.
Image data acquired by sensors – either film or electronic image sensors – must be transformed from the acquired values to new values that are appropriate for color reproduction or display. Several aspects of the acquisition and display process make such color correction essential – including the fact that the acquisition sensors do not match the sensors in the human eye, that the properties of the display medium must be accounted for, and that the ambient viewing conditions of the acquisition differ from the display viewing conditions.
The color balance operations in popular image editing applications usually operate directly on the red, green, and blue channel pixel values, without respect to any color sensing or reproduction model. In shooting film, color balance is typically achieved by using color correction filters over the lights or on the camera lens.

Depth of field
In optics, particularly as it relates to film and photography, depth of field (DOF) is the distance between the nearest and farthest objects in a scene that appear acceptably sharp in an image. Although a lens can precisely focus at only one distance at a time, the decrease in sharpness is gradual on each side of the focused distance, so that within the DOF, the unsharpness is imperceptible under normal viewing conditions.
In some cases, it may be desirable to have the entire image sharp, and a large DOF is appropriate. In other cases, a small DOF may be more effective, emphasizing the subject while de-emphasizing the foreground and background. In cinematography, a large DOF is often called deep focus, and a small DOF is often called shallow focus.

 



HDV’s Function
From the outset, the HDV 1080i specification of the HDV* format has been developed to record stunning HD images with 1080 active scanning lines on DV-specification cassette tapes. It adopts the MPEG-2 compression format, using 8-bit digital component recording at approximately 25 Mb/s, which is the same data rate as the DVCAM/DV format, enabling a long recording time on compact DV cassettes. For example, more than 60 minutes of high-quality HD images can be recorded on a mini DV cassette. As with the DVCAM and DV formats, the HDV format allows an i.LINK connection to compatible nonlinear editors, enabling a cost-effective HD production system. The sheer volume of HDV 1080i professional and consumer equipment used around the world is a clear indication that HDV 1080i has become one of the most popular HD formats.

Product Description

The compact professional camcorders manufactured by Sony have introduced a new level of mobility for ENG and documentary-making worldwide with their superb quality and compact dimensions. These camcorders have dramatically revolutionized the traditional methods of capturing video footage. With the new Sony HVR-V1U camcorder, now you can enjoy the same mobility with the breathtaking beauty of 1080/24P shooting, and have the freedom to create video material with much greater creativity and visual impact. The HVR-V1U will pave the way into a new world of HD video productions.

From the Manufacturer

Manufacturer Description The compact professional camcorders manufactured by Sony have introduced a new level of mobility for ENG and documentary-making worldwide with their superb quality and compact dimensions. These camcorders have dramatically revolutionized the traditional methods of capturing video footage. With the new Sony HVR-V1U camcorder, now you can enjoy the same mobility with the breathtaking beauty of 1080/24P shooting, and have the freedom to create video material with much greater creativity and visual impact. The HVR-V1U will pave the way into a new world of HD video productions. Overview
How it’s done Our professional HDV products offer exceptional quality - only made possible by Sony’s cutting-edge technical expertise. Our world-class semiconductor manufacturing technologies have enabled the development of a new CMOS sensor that offers the image quality to satisfy the most demanding professionals. Employing a 3-chip system, the 3 ClearVid CMOS sensor offers high-resolution images with rich and natural colors. Coupled with advanced technology such as the Sony Enhanced Imaging Processor and a high-quality Carl Zeiss Vario-Sonnar T lens, the full power of this imaging system is realized in the HVR-V1U camcorder. "Ready-to-edit" with the HVR-DR60 hard disk recording unit Video professionals can be confronted with tight production schedules, and balancing time with creativity can become a dilemma. The Sony HVR-DR60 frees you from such dilemmas by allowing instant editing of your video footage. The HVR-DR60 offers a unique hybrid concept, in which video material can be recorded to the hard disk and the camcorder tape simultaneously with time code synchronized. Simply connect the HVR-DR60 to a PC running compatible nonlinear editing software. The computer will immediately recognize the recorded data files for a dramatic improvement in editing efficiency. With the HVR-DR60 hard disc unit, the time-consuming digitizing process is a thing of the past. Another huge appeal of this Hybrid configuration is its improved efficiency in archiving operations. With your source footage available on tape and hard drive, you can immediately store the source tape in your video library without making copies to other media. Your work footage is already there on the HVR-DR60 hard disk. Further more, the HVR-DR60 has been developed by Sony as a perfect companion for the HVR-V1U. Sony’s HDV product lineup has been further expanded, giving you the freedom to be even more productive. Offering HD quality in a compact, lightweight, and mobile design
Progressive 1080/24p -- progressive shooting The HVR-V1U camcorder provides 1080/24p acquisition with 2:3 pull-down recording - compatible with existing Sony professional HDV equipment. The 24p scan signals are recorded on tape as 60i signals through means of 2:3 pull-down. Similarly, a 30p scan signal is recorded as a 60i signal by dividing each frame into two fields. This allows your 24p and 30p scan footage to be played back or fed to an editing suite using the thousands of units of Sony HDV equipment already in use throughout the world. Leading manufacturers are scheduled to release nonlinear editing software compatible with this 24p scan mode. These nonlinear software will be able to detect the 2:3 sequence and remove the 2:3 properly. This way, the editor will be able to create a 24p project, edit precisely at 24fps (23.98 progressive frames per second) throughout the process, and output the final master as:

• A sequence of still images at 24 fps, for film out
• A 23.98 YUV (uncompressed) HD file, for output to CineAlta products
• A 23.98 SD MPEG2 file, for the highest quality DVD mastering possible
• A 60i HDV file (2:3 added back in), for creating an HDV edit master
• A 60i YUV (2:3 added back in, uncompressed) HD or SD file, for outputting to Digital Betacam or HDCAM for broadcast High-resolution 1080 progressive scan Thanks to the 3 ClearVid CMOS Sensor and Enhanced Imaging Processor technology, the HVR-V1U supports 24p (progressive) scan, the frame rate of film and 30p (progressive) scan modes, in addition to typical 60i. The signals generated by the 3 ClearVid CMOS sensor are processed in the progressive domain as 1920 x 1080p signals, allowing high-resolution progressive footage to be captured. Devices Enhanced imaging processor This special imaging processor in the HVR-V1U has been developed to bring out the full power of the 3 ClearVid CMOS sensor by handling the video signal output in 1920x1080p and 4:2:2 color space. Its unique signal processing separates the image data into its texture and brightness components and processes these independently. This makes it possible to reproduce images with a high level of clarity, from the very darkest to brightest areas of the image. The signals from the four surrounding photodiodes are used to reproduce one more signal with the Enhanced Imaging Processor technology. Carl Zeiss Vario-Sonnar T lens with extra-low dispersion glass The HVR-V1U camcorder is equipped with a high-quality Carl Zeiss Vario-Sonnar T lens. Featuring a 62mm filter diameter, this lens offers a multilayer coating, extra-low dispersion glass, aspherical glass and excellent spectral characteristics that result in reduction of chromatic aberration. 20x optical lens and wide conversion lens The HVR-V1U camcorder’s built-in 20x optical zoom lens enables long-range shots of sports events or wild animals with the stunning visual impact of HD images. Moreover, the digital extender increases the zoom ratio to approximately 30x. The optional VCL-HG0868K 0.8x wide conversion lens uses the bayonet mount system for instant attachment or detachment. Combining these lens features, you can effortlessly capture close-up or wide-angle shots as your video production requires. 3 ClearVid CMOS sensor The ClearVid CMOS sensor has been developed using the most advanced technologies in the semiconductor industry. Thanks to the unique grid arrangement of the photo diode sensors, in which each is rotated by 45 degrees, sensor resolution has been optimized while maximizing the photosensitive surface area. Combining this imaging system with its associated Enhanced Imaging Processor technology, has enabled the use of a sophisticated interpolation scheme original to Sony and entirely different from conventional spatial offset techniques. The 3 ClearVid CMOS sensor system is the core element enabling the 1920x1080p video signals. Also, unlike CCD sensors, there is no vertical smear when shooting high-intensity subjects, which further reduces shooting condition constraints. Wide dynamic range Features like shadowed faces and overbright hair are clear and natural-looking. Even with mixed dark and bright areas in the same shot, the whole picture appears natural thanks to the wide dynamic range. With HVR-DR60 (not included) Small size and perfect balance The HVR-DR60 hard disk drive measures just 79 x 44 x 100 millimeters (W x H x L) in size, and weighs only 227 grams (excluding battery). Using the supplied shoe adapter, the unit can be mounted on the cold shoe of the camcorder. Also, by use of the optional bracket VCT-1BP, it can be mounted on the rear of the camcorder, where it will not affect the mobility of the compact camcorder. HDD Smart Protection Three advanced technologies are used for reliable recording performance of the HVR-DR60:
  • Rubber shock absorbers hold the HDD unit in place, preventing external shock being transmitted when the HVR-DR60 chassis is subject to impact.
  • A 3G sensor detects gravitational acceleration in three dimensions, so however the HVR-DR60 may be oriented, the sensor can detect if it has been dropped -- in which case power to the HDD is shut off and the recording heads are retracted from the disk platters, pausing read/write operations. This protects the HDD from being damaged when the unit is accidentally dropped and subject to strong impact.
  • The third feature is a buffer memory, capable of storing approximately 14 seconds of video and audio footage. Recordings are made by first writing the data to the buffer, and then writing the buffer data to the disk platters. Consequently, if the 3G sensor temporarily interrupts disk writes, video footage is not lost.
  The HVR-DR60: An ideal companion for the HVR-V1U The HVR-DR60 hard disk drive can be used with existing HDV/DVCAM camcorders equipped with an i.LINK interface such as the HVR-Z1U, HVR-A1U and DSR-PD170P. However, use with the HVR-V1U offers unique features only available in this combination. Checking the operational status on the HVR-V1U On the LCD and VF of the HVR-V1U, you can easily check the operational status of the HVR-DR60 (connection, rec status, battery level, remaining recording time, recording folder name, etc.). This keeps you aware of both the camcorder and hard drive status without taking your eyes away from what you’re shooting. Tapeless recording with the HVR-V1U The HVR-DR60 hard disk drive can synchronize with the record command that is outputted from the camcorder. The HVR-V1U differs from its predecessor in that it can send a record signal with out the presence of a tape inserted. Thus tape-less, "Hybrid recording" is possible by connecting the HVR-V1U with the DVR-DR60. Maximizing the efficiency of non-linear editing Via a simple i.LINK connection, the HVR-DR60 Hard Disk Recording Unit allows recording of a compatible HDV1080i stream from an HDV camcorder, or a DV stream from a DVCAM camcorder. The 1.8-inch internal HDD offers a large capacity of 60GB, which translates into an impressive approximately 270 minutes (4.5 hours) for both HDV and DVCAM recordings. The HDV1080i stream is recorded as native HDV files (.M2T), while DV stream is recorded as AVI files (.AVI :DV Type1). When connected to a PC, the HVR-DR60 is recognized as a standard external drive, so you can immediately access and edit the recorded footage just as any typical video file. This saves the time previously required for digitizing material from the tape to PC -- time that could otherwise be spent for more creative and productive editing tasks. Many NLE programs will be able to access files and control the HVR-DR60 hard disk drive via the i.LINK connector. With compatible programs, the HVR-DR60 hard disk drive will behave as a VTR, but with a random access file structure which will allow immediate access to clips on the disk. Using the hybrid recording function of the HVR-V1U camcorder, in which video and audio material is recorded simultaneously to the hard disk and tape, you can be assured that you won’t lose an important shot. In the rare case that either the tape device or hard disk fails, you will always have a backup. The hybrid function also facilitates archiving operations of your all-important source footage -- which in most cases do not allow for reshoots. After a shoot, immediately archive your source tape and use the HVR-DR60 material as your work footage. Unlike camcorders using low-capacity recording media, there is no need to invest the time and effort in copying the original data to a separate high-capacity medium. Just reformat the HVR-DR60 and you are ready to go on your next assignment. Same batteries that power your camcorder The last thing you want to worry about on location is using different types of batteries. With the HVR-DR60 hard disc drive you can use the same InfoLithium L Series batteries that are used for the HVR-V1U, HVR-Z1U and DSR-PD170 camcorders. Using the smallest capacity NP-F570 battery, the HVR-DR60 operating time is approximately 270 minutes (4.5 hours), and with a high-capacity NP-F970 unit, this increases to approximately 810 minutes (13.5 hours). Long operating hours are possible with the batteries that Sony HDV users already have at hand.

DSLR and HDV video recording
High-definition video is video of higher resolution and quality than standard-definition. While there is no standardized meaning for high-definition, generally any video image with more than 480 horizontal lines (North America) or 576 lines (Europe) is considered high-definition. 720 scan lines is generally the minimum even though the majority of systems greatly exceed that. Images of standard resolution captured at rates faster than normal (60 frames/second North America, 50 fps Europe), by a high-speed camera may be considered high-definition in some contexts. Television series' shot on high-definition video are made to look as if they have been shot on film, a technique which is often known as filmizing.

BASIC VIDEO CAPTURE 2

here this the experience of the candle burning. the total long was 15mins and I  use primiere play it at
2000% speed to make it cange qiuckly.
the meaning of this short video is that I want to express the time past very fast, we need saving time and do more things we can do at one time.

BASIC VIDEO CAPTURE 1

Kaleidoscope principle: think within a certain number of colored glass kaleidoscope, kaleidoscope same quantity and quality of these pieces are the same, but simply by turning the kaleidoscope, so that new combinations fragmentation occurs, there will be endless new patterns and new tricks . Advertising creative is to give the scattered disordered material unique means of artistic expression, carry out the purpose of the combination, produce a variety of new ideas.